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29/12
Joe Strummer; Remembering A Legend…

Joe Strummer, Remembering A Legend…

It could be said that Joe Strummer was not only one of the faces of the punk movement during the late 1970’s, but also one of the most influential musicians in rock history. His ability to infuse multiple styles of music into his own unique sound was the key to his success, putting him in the ranks of Bob Marley and Brad Nowell in terms of pushing the limits of musical genres, while creating music that is still enjoyed on a mass scale today.

Born John Graham Mellor, Strummer’s father worked as a diplomat for the English government and lived in Turkey at the time of Strummer’s birth in 1952. His family moved around from continent to continent, living in Cyprus, Cairo, East Germany, and Mexico City, all before he went to boarding school in England at age 8. When on breaks from boarding school, he spent time in Iran and parts of Africa visiting his parents.

As a result, his upbringing of living in and visiting different parts of the world helped him develop his diversity in music and shape his world perspective that would help influence his musical career that spaded nearly 30 years.


Musical Upbringing….
After boarding school, Strummer went to art school in London briefly and flirted with the idea of becoming a cartoonist, but ended up dropping out and following some friends to Newport Wales. He took on the nickname “Woody”, after the American folk singer Woody Guthrie. While in Newport, he became the front man for a group called The Vultures. The Vultures didn’t last long, however Strummer did get his first experience as being the front-man of a band.

After The Vultures, Strummer moved back to London in 1971 living in an abandon apartment building, with a small group of friends at 101 Walterton Road. It was at this time when Strummer developed an ear for the Reggae, Ska, and Rock Steady sound that was popular in England at the time. Artists such as Jimmy Cliff, & Desmond Dekker grew in popularity after the 1972 film release of The Harder They Come staring Jimmy Cliff himself. The Harder They Come helped moved the Reggae, Ska, and Rock Steady sound into the mainstream. This would influence Strummer immensely and he would later use elements of reggae, ska, and rock steady throughout his career.

Around 1974, Strummer and his Squat mates formed a Pub Rock band, calling themselves the 101’ers, after the address of their place in London. “Pub Rock” was a sort of throwback to the rock sound of the previous decades. It included garage rock, rockabilly, blues, folk, and traditional “Rock and Roll”, which got its name from the fact that these smaller bands would play in Pubs, as oppose to large stadiums or other large music venues. Back then, the larger venues were dominated by the popular Glam and progressive groups of the day.

While playing with 101’ers, he began to fine-tune his musical abilities as a front man and rhythmic guitar player. This was when he also stopped going by Woody and took on the now legendary name of, Joe Strummer. The 101’ers started gaining popularity in the Pub Rock scene of London and so did their charismatic front man Joe Strummer. However, a new sound was coming that would cause Strummer to leave the 101’ers.


Joe Strummer & The Clash…
“We aren’t particularly talented. We try harder.” – Joe Strummer, on The Clash.

One night in 1976, a little known band called the Sex Pistols opened up for the 101’ers at the popular London venue called the Nashville Rooms. Watching the Sex Pistols was a life changing moment for Strummer. What he saw on stage in the Sex Pistols was a rock sound that was youthful, primal in form, full of attitude, and most importantly, brand-new. At the time, Strummer seemed to be looking for a new sound, and after seeing what the Sex Pistols had, he realized that Pub Rock might have ran its course and this new sound was the future.

Strummer was quoted as saying “Seeing the Sex Pistols…in a crummy little pub in London called the Nashville, nobody was doing anything with one inch of the guts…the sheer audacity of what they were doing, they were the 1st people I saw…who did something heavy.”

At a later gig, with the Sex Pistols supporting the 101’ers, Strummer met two musicians by the names of Mick Jones and Paul Simonon, who were impressed by Strummer’s talent. They asked Strummer to join their band and he was given 48 hours to make his decision & Strummer agreed in less than 24. As a result, The Clash consisted of Joe Strummer on Lead Vocals/Rhythm Guitar, Mick Jones on Lead Guitar/Vocals, Paul Simonon on Bass/Backing Vocals and Nick “Topper” Headon on Drums/Percussion.

After about a month of practicing and naming their band The Clash, they played their first show opening up for the Sex Pistols at the Black Swan in Sheffield England in 1976. At first, Strummer was the only member with any real experience performing and infusing the musical styles he knew and loved into The Clash’s music. The Clash’s first notable quality seemed to be that they had a much larger musical spectrum than most punk bands at the time, successfully incorporating elements of early rock and roll, ska, and reggae in to the edgy sound of punk.

Lyrically, the album was politically charged with songs that rang out like battle cries, dealing issues of social stratification, race, and unemployment. This was a different lyrical approach than their counterparts the Sex Pistols, whose lyrics were nihilistic at best. London Calling is considered by many to be one of the best rock albums of all time, even ranking number 8 in the top 500 albums of all time by Rolling Stone Magazine.

Their next release was in 1980 with the triple record release of Sandinista!. The release showcased even more musical styles adding elements of folk, gospel, R&B, dub, calypso and rap, making Sandinista! the most musically diverse album that The Clash released. Rolling Stone went as far as comparing the Sandinista! release to the Beatles’ White Album. In both albums the bands showcase musical diversity and a willingness to experiment.

The Sandinista! release contained three total records. Epic/Sony, their label, wanted to put the cost of the extra vinyl on to the price of the album. The Clash cut a deal with Epic/Sony, agreeing not to receive any royalties in return, to keep the price of the album down so it was available to more fans. This displayed an uncompromising love & connection they had with their fans, outside of being one of the biggest rock and roll bands at the time.

In 1982, Combat Rock was released, this time elements of new wave and funk, thrown into the mix. Combat Rock went on to be their most commercially successful album. Sadly, it was the beginning of the end for the Clash. After the release of Combat Rock, Strummer kicked founding member and major contributor, Mick Jones, out of the band due to growing friction between the two, making Strummer and Simonon the only founding members in the Clash.

With Jones out of the band, the Clash lacked a crucial element and this was apparent in their last album Cut the Crap, released in 1985. Due to poor reviews and disliking from fans, Cut the Crap flopped and the following year the Clash broke up.


Life after The Clash…
Strummer began to work writing music for films, composing soundtracks, and even acting. Strummer recorded two tracks for Alex Cox’s 1986 movie Sid and Nancy with the songs “Love Kills” and “Dum Dum Club”. Then Cox let Strummer act in and compose the entire soundtrack for Cox’s next film, Walker in 1987. Strummer also acted in three more movies by the end of the 1980’s, showing Strummers ability to work in different artist mediums.

In 1989 Strummer formed a project called, Joe Strummer and the Latino Rockabilly War. The band recorded five tracks for, Permanent Record, an early Keanu Reeves film. Later that same year, they released the album Earthquake Weather, which had traditional rock and roll sound with world music mixed in, again showing Strummer’s musical diversity. However, Earthquake Weather flopped financially and Strummer was dropped from his label Epic/Sony.

Strummer explains his departure from Epic/Sony in an interview with Judy McGuire of PunkMagazine.com saying “I put out a record in 1989 called Earthquake Weather, which didn’t sell any copies at all. So Sony thought, we can’t let this bloke make another record because the wording of the contract was that as soon as I started a session they had to write me an enormous advance check. And they knew they weren’t going to see any of it. Then they gave me my separate life back-my solo life.”

Strummer was, for the most part, inactive in the early 90s, but jumped into action in 1997. That was the year Strummer put together the soundtrack for the film Grosse Pointe Blank staring John Cusack, using mostly late 70s and 80s rock, ska and new wave tracks for the score.

In 1999 he put together Joe Strummer and the Mescaleros, releasing Rock Art and the X-Ray Style that same year. Elements, of world music, electronic, techno, rock, reggae and a bit of folk were incorporated. In addition, Strummer kept true to his brand of socially aware and thought provoking lyrics.

Tim Armstrong of Rancid, being a lifelong fan of Strummer and his work, signed Joe Strummer and the Mescaleros to his label, Hellcat records in 2001. Later that year they went on tour worldwide. Around that same time, Strummer also recorded a cover of Bob Marley’s “Redemption Song” with Johnny Cash as a duet. He was also working with Bono of U2 on a tribute project to Nelson Mandela. Sadly their work was never completed.


In The End…
During the recording of Joe Strummer and the Mescaleros’s third album Street Core, Strummer died of a heart attack at his home in Somerset England on December 22nd, 2002. Street Core was released under Hellcat records the next year, almost a full year after his death.

Strummer was a family man. His children, Jazz and Lola, both girls came from his long-term girlfriend Gaby Salter. After Strummer and Salter split up, Strummer began a relationship with Lucinda Tait, in 1993 and were later married. Tait, had a daughter from a past relationship named Eliza, and the four of them moved to a farmhouse in Somerset England where they lived until Strummers passing.

“I can’t believe it. Joe was as a huge inspiration to me now, as he was in 1977. He combined cool with an uncompromising stance, infused reggae into punk and taught a whole generation of us more about politics than any number of teachers or politicians. I desperately wish news of his death was untrue.” -Iggy Pop commenting on Strummers Death.

Strummer’s life & legacy continue to be documented in films, including Julien Temple’s ‘The Future Is Unwritten’. The film features live footage, various interviews & more.

In the end, Strummer’s unique approach to musical projects set a bar for others to aspire to. His formula of mixing musical genres like punk, reggae, rock, funk, dub & rap, created a blueprint that others were able to follow. Strummer may have left us, however his timeless musical contribution will continue to inspire, and be enjoyed by people worldwide.

“For me the music is a vehicle for my lyrics. It’s a chance to get some really good words across.”
-Joe Strummer


Joe Strummer Links
Joe Strummer Website
Joe Strummer Facebook
The Clash Website
The Clash Facebook


Article By: Mason Lillie


Official Music Video: The Clash – “Rock The Casbah”

The Clash Interview – 1979


2 Responses to Joe Strummer; Remembering A Legend…

  1. Dub Diezel says:

    OUTSTANDING ARTICLE MASON!!!!! I Loved it. Strummer and the Clash will forever be one of my all time favorite bands, musical icons. Genious in my eyes. I have to thank musicians such as Strummer for even getting me into reggae. Always being a fan of Punk and Metal of course, my two older brothers played me the album “Sandinista!” or technically I should say albums with it, and I was hooked!Yes I luv “London Calling” , “Combat Rock” albums, pretty much any and everythnig The Clash every made actually, but it was Sandinista! that changed everything for me. I love the later The Clash’s Dub album, or Dub Clash/Clash Dub. Alot from Sandinista!, as far as with longer cuts of certain versions of songs that were featured on Sandinista! as well as some other Clash albums on top of new unreleased material also with what some could say were never realeased B-Sides and what not, but if you love 311 and Sublime etc… grab the Clash Dub and you’ll see where Nick Hexum and Brad Nowell got a lot of inspiration, especially Nick.

    I remember playing 311’s Evolver album for the first time when it first came out and the person in my car happen to hear the track “Same Mistake Twice” and actually asked if that was The Clash? I laughed and said well I’m sure 311 would be honored to hear you ask that with the comparison but no it’s 311, but that is a prime example of how The Clash have inspired so many of today’s artists. You’ll hear house music DJ’s, artists, rappers, you name it, using Clash samples on all sorts of different tracks. M.I.A.’s “Paper Planes” I believe is what the track is called, uses a sample from The Clash’s song “Straight to Hell” ya know that crazy screetching violin noize, that just sounds funky weird awesome. An English native herself showing some Clah Luv. Hell even Cypress Hill use version samples of “Guns of Brixton” with one of their songs with of course help from “Tim Armstrong”, just a couple examples . Speaking of which, another musician and band I have always dug and respected, ‘Rancid’. You just know Strummer was a huuuuge influence on Tim Armstrong as so much of their music can be compared with bits and pieces of detail of Clash sounding related material or with Tim’s solo album that I absolutely dig. Joe Strummer to me should forever always be held up there with the Marley’s, Elvis, big time musicians, the great one’s. Some may same I’m crazy from a lyrical standpoint but maybe yes…musically, but I would still argue that. Strummer told the truth with the BS where he grew up and around the world. A true Punker, Anarchy at it’s finest hahaha. Don’t want to leave out Mick either from the band, he is just as much of an inspiration musically to me as Strummer.

    This is what I love about “ThePier.Org” they recognize the greats and will preech it to the masses insuring and showing their respect in what makes up why this is even a website, because of the whole reggae-rock genre. What led a lot of the bands to performing the style of music that they do today. I luv Sublime and Brad with the great music they gave us and albums like 40 oz ‘s changed my life too, but as a 31 year old I’ve been around long enough to be fortunate to have so much music of this genrea stylee introduced to me as a little kid to understand where a lot of it really started, embracing it, while still being a young dude now rcoking out ot it hahaha. Much Props on this article.

    P.S. I laughed seeing the above picture of ‘Grosse Point Blank” one of my favorite movies simply because of the soundtrack played throughout the entire movie, and yes I have a copy of the soundtrack as well. There are actually 2 copies; a version 1 and 2 of the soundtrack, but the 1st one which is pictured above is all you really need. Great ‘Clash’ tunes, ‘Bowie/Queen’, ‘G.N.R’, ‘English Beat’, badass ‘Faith No More’and a great version of “Pressure Drop” by another one of my all time favorite groups ‘The Specials’. Peace!

    -Diezel

  2. Bill Finlay says:

    Shoddy work, any Clash fan knows Topper didn’t join ’til the run of singles before the 2nd album..

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